Tag Archives: Aphrodite

Weekly Deity: Calliope


Image of the goddess CalliopeCalliope is the Greek goddess of epic poetry and one of the nine Muses.  Her name is pronounced “kha-lie-oh-pee” and in Greek: καλλιοπε.  She is considered to be the Muse of Homer when he wrote the Odyssey and the Iliad.

Attributes

This goddess is typical shown as a young, beautiful woman.  She is fully-clothed in robes.  Often she carries a writing tablet and may be shown with a scroll or book in hand instead.  Sometimes she wears a golden tiara.

Usually the nine Muses are shown together, but one or two are important enough for are prominent enough in various myths that at times they are shown on an individual basis.  Calliope is one of those who may be shown without her sisters because of her prominence in numerous myths.

Mythology

Calliope is the eldest of the nine Muses, and while the Muses are nonuplets (nine siblings at once), they aren’t generally said to look alike.  Her sisters are: Clio, Erato, Urania, Euterpe, Terpsichore, Melpomene, Thalia, and Polyhymnia.  Their parents are said to be Zeus and Mnemosyne, the goddess of memory.

Calliope is perhaps the most active of the Muses in terms of mythology without her sisters.  She was a lover of Ares and bore him four sons: Biston, Mygdon, Odomantus, and Edonus.  All four grew up to become the founders of Thracian tribes that bore their names.  Later, she bore two more sons, Orpheus and Linus, to either Apollo (more likely) or the Thracian king Oeagrus.  Calliope does eventually marry Oeagrus, but her sons are more likely sons of Apollo given their talents with music.  Linus is known in mythology to be a great musician and he taught Orpheus and Heracles music.  Orpheus learned poetry from his mother and combined what he learned from her with the music he learned from Linus and became a great singer–so great that he moved Hades and Persephone to tears with his song when he went into the realm of Hades to fetch his wife back to the living.

Calliope is also said to mediate an argument over Adonis between Persephone and Aphrodite.  The two goddesses were so taken with Adonis’ beauty that they fought over who would be able to keep him.  So Calliope mediated on Zeus’ behalf and decided that Adonis should spend one-third of the year with each goddess and the remainder of the year in any place he chose.

Light and Dark Sides

The Muses are gentle, wise, and benevolent mistresses of their respective domains, and Calliope is no exception.  She is considered the wisest and most assertive of the Muses.

Calliope would be good to call on for aid in papers or projects, especially those projects that deal with writing, books, or poetry in some form.  Basically any task that requires patience, planning, and time could fall under her purview.  Epic poetry isn’t written in a day, which makes her a goddess of perseverance and patience as well as creativity and imagination.  She is particularly good for authors and musicians to call upon.

On her Dark side, she is perhaps a little too entrenched in her work.  It’s possible that she could be so involved in the project that other tasks get pushed aside to the point of neglect.  This is pure speculation, of course, since there are no myths about her actual work, only her relationships–but it’s not much of a stretch to imagine that this is a possibility.

Overall, Calliope, like her sisters, is a benevolent goddess who is willing to give aid when called upon for help with certain projects.

For more about the Muses as a whole, see my earlier post on the ladies.

Weekly Deity: Eos


Eos is the Greek goddess of the dawn. Her main domains are of the sun, new beginnings, and youthful vitality.  Aurora is the Roman equivalent.

Attributes

Eos is generally pictured as a beautiful young woman, with pale skin and golden hair.  Often she is shown with wings and wearing a saffron-colored robe, for the sun.  Flowers are commonly in paintings of her as well, and she wears a tiara or diadem.  Sometimes she is shown driving a golden chariot pulled by winged horses.

Mythology

Eos is not one of the major deities of ancient Greece, but she does figure in a great deal of poetry.  Her parents are either Hyperion (Titan, lord of light) and Theia (a Titan of brightness) or Pallas (a Titan associated with war) and Styx (the river to the underworld).  Thus Eos is a second-generation Titan goddess.  Regardless of her parentage, it is generally agreed that her brother is Helios (the sun) and her sister is Selene (the moon).

In the myths that center around Eos, the primary concern is the lovers she takes up with.  Her first love, and the one that may have caused her much grief, was Ares.  This made Aphrodite jealous, and some sources say that Aphrodite cursed Eos to be a nymphomaniac.  Eos moved on from Ares and fell in love with Orion, a handsome giant and renowned hunter.  However, he was transformed into a constellation by Artemis.  Another lover was Cephalus.  Eos kidnapped him and took him to Syria.  Cephalus was married to a woman named Procris, but he and Eos had three children from the affair, two of which were Phaeton and Hesperus.

The last lover is the most notable.  Tithonus became Eos’ final consort.  She loved him so much that she begged Zeus to grant Tithonus immortality, so he could stay with her forever–but she forgot to ask for eternal youth as well.  Tithonus lived so long that he became the size of an insect, and the gods took pity on him and transformed him into a grasshopper.  Eos bore Tithonus two sons: Memnon and Emathion.

Light and Dark Sides

This goddess is particularly interesting to me.  The more I consider her, the more I find to fascinate.

Eos is the goddess of new light.  Part of her domain includes new beginnings, emergence from the darkness, and vibrancy and vitality.  To me, she speaks of youthfulness and young energy.  The dawn is the start of a new day; it makes sense that as goddess of the new day, she is in charge of new beginnings.  And with the myth of Tithonus as an example, I can even see how that myth relates to her youthfulness–she didn’t think through her idea, a common ailment of the young, and neglected the youth that she could have commanded.

On the other hand, some of her mythos doesn’t make as much sense.  Why would a goddess of the dawn be so involved in tales wrapped with sexuality and/or love?  OK, as a goddess of new beginnings, I could maybe see how a new relationship every month would fit the bill, but I don’t see what that aspect has to do with her function–yet the sex and love aspects are largely what are focused on in the myths.

On the Light side, she would be great to call on for vibrant energy.  If you have a new beginning you want to make, I could see calling on her.  On the Dark side, she seems a bit rash, not thinking things through enough.  And I could even see how her energy might be a bit overwhelming at times, maybe be a bit much to handle because it’s so vibrant and radiant and energetic.

Still, all in all, I don’t see any huge negative effects of her, so I’m putting her on the Light side of the deity spectrum.

Question of the Week: Love Goddesses


In honor of Valentine’s Day and love-related things, this week’s question is about love.

Who is your favorite god or goddess of love?

You can choose anyone.  Aphrodite, Venus, Cupid, etc.  As always, put your answer in the comments section below!

Gods and Goddesses of Imbolc


Merry Imbolc everyone!  I know today is usually the day of the Weekly Deity post, but I thought I would do something special for Imbolc.  This week’s Weekly Deity is a short collection of the popular deities honored primarily on Imbolc.  Most of the deities so honored on this Sabbat are those whose primary domains are fertility, love, protection, and/or the hearth and fire.  Enjoy!

Brigid: Irish goddess.  On Imbolc she is considered the bride of the young Sun god.  Represents fertility, protection, health and healing, inspiration, and guardian of children.  Her Imbolc festival was renamed St. Bridget’s Day by the Catholic Church.

Venus: Roman goddess of love.  Her sacred flower, the crocus, is also the first flower of spring, which is how Venus is worked into Imbolc celebrations.

Aphrodite: Greek goddess of love.  Goddesses of love and emotion tend to be honored at Imbolc not only because of the proximity to Valentine’s Day, but because Imbolc is the signifier of coming fertility–and love, in any form, brings life.

Hestia: Greek goddess of the hearth.  Protector goddess and guardian of the homes of mortals who honored her as well as the hearth fire of Olympus.  Imbolc, like all Sabbats, is based on the sun’s movements and changing of the seasons.  So gods and goddesses associated with fire come into some measure of prominence at these times, even if the main celebration of the holiday isn’t on the sun.

Vesta: Roman goddess of the hearth and home.  Protector goddess and guardian of the sacred fire.

Bast (Bastet): Egyptian goddess of the hearth and fierce protector of mothers and children.

Eros: Greek god of love.  Seen as a sign of fertility at this time of year, as well as love.

Inanna: Sumerian goddess of love, fertility, sexuality, and warfare.

Gaia: Greek goddess of the earth.  Since spring is on its way at this time of year, the fertility of the earth and Her goodwill is not to be ignored.  Gaia doesn’t play a huge role in Imbolc, but it’s good to keep Her in mind.

Athena: Greek goddess of wisdom and warcraft.  Roman counterpart–Minerva.  As a virgin goddess, she could be honored at Imbolc.  Virgin goddesses play a part because the Goddess is a virgin at this time of year–she has not yet been impregnated with the God, but she has already given birth to the new God.

Artemis: Greek goddess of the hunt and virgins.  Roman counterpart–Diana.

To learn more about Imbolc itself, check out my post on the Sabbat– Imbolc: Luring Back the Sun

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Weekly Deity: Hermaphroditus


A minor Roman deity, Hermaphroditus governed sexuality.  Likely he was originally a Grecian god adopted by the Romans, as his name sounds almost exactly like his Grecian counterpart, Hermaphroditos.  In both cultures, the god is exactly the same in his origins, sphere of influence, and mythology.

Attributes

In art, Hermaphroditus was often portrayed as a young female figure but with male genitalia.

Mythology

The mother of Hermaphroditus is Aphrodite (Venus), while his father is Hermes (Mercury), which is evident by the combination of their names into their son’s name.  According to Ovid, Hermaphroditus was raised by naiads for most of his life.  When he became tired of staying in the one place, he ventured out from his home.  While traveling, he came to a pool in which a nymph, Salmacis, bathed.  Salmacis became immediately attracted to Hermaphroditus and wanted him for her own, but he rejected her.  After he thought she had left, Hermaphroditus undressed and stepped into the pool to bathe.  It was then that Salmacis sprang out from her hiding place and wrapped herself around him, calling to the gods in prayer that she and he never be parted.  The gods granted this prayer and melded their two bodies literally into one form, a body of both sexes.  After the change, Hermaphroditus asked his father Hermes and his mother Aphrodite that anyone else who bathed in the pool should fall under the same fate and be transformed as well, a wish which was granted.

Light and Dark Sides

Except for the one myth of his own life, Hermaphroditus appears no where else in Greek or Roman mythology.  His character suggests very little about his personality.  Hermaphroditus is literally the combination of the male and female aspects, which I suppose, depending on how you look at it, can be both a positive and a negative trait.  But considering his final wish, Hermaphroditus sounds like an angry and bitter person, one who wishes others ill in order to make them suffer the pain he also suffered.  There was no logical reason for him to ask for the pool to be cursed (but then, when has anything truly been logical in myths?).

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